Symbol of the month – The Butterfly

This is another older post about a symbol that is not common within churchyards and cemeteries and so I am always thrilled whenever I see an example.  This gorgeous example is in below is in the interior of St Nicholas’ church in Chislehurst, Kent. It’s dedicated to a woman and perfectly illustrates the use of the butterfly as a symbol of transformation and resurrection.

As the lockdown edges closer to more restrictions being relaxed, I hope to be out exploring again very soon!

Butterfly on monement, interior of St Nichols church Chislehurst, Kent, copyright Carole Tyrrell



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©Carole Tyrrell


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©Carole Tyrrell


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©Carole Tyrrell

The Gordon monument butterfly motif in all its glory. Kensal Green Cemetery. copyright Carole Tyrrell
The Gordon monument butterfly motif in all its glory. Kensal Green Cemetery.
copyright Carole Tyrrell

Cemeteries and graveyards can be happy hunting grounds for butterflies.  But not just the bright, dancing summer jewels, borne on the breeze, but also the much rarer kind which perches in them for eternity.

So far I’ve only discovered two of this particular species which were both in London.  One was in Brompton and the other was in Kensal Green.  But I have also seen others online in American cemeteries.

But I’m surprised that the butterfly symbol isn’t more widely used as it is a deep and powerful motif of resurrection and  reincarnation.  It has fluttered through many cultures which include Ancient Egypt, Greece and Mexico.

In classical myth, Psyche, which translates as ‘soul’, is represented in the form of a butterfly or as a young woman with butterfly wings.  She’s also linked with Eros the Greek God of love.   It is also a potent representation of rebirth and in this aspect, the Celts revered it.  Some of the Ancient Mexican tribes such as the Aztec and Mayans used carvings of butterflies to decorate their buildings as certain butterfly species were considered to be reincarnations of the souls of dead warriors.  The Hopi and Navaho tribes of Native American Indians performed the Butterfly Dance and viewed them as symbols of change and transformation.

The butterfly is an archetypal image of resurrection in Christianity and this meaning is derived from the 3 stages of a butterfly’s life.  These are:  1st stage = the caterpillar, 2nd stage = the chrysalis and 3rd and final stage = the butterfly.  So the sequence is life, death and resurrection.   The emergence of the butterfly from the chrysalis is likened to the soul discarding the flesh.  It has been depicted on Ancient Christian tombs and, in Christian art, Christ has been shown holding a butterfly.   It is supposed to appear chiefly on childrens memorials but the two that I’ve seen were on adult memorials.

Butterflies also feature in Victorian mourning jewellery and there is a fascinating article on this with some lovely examples at:

http://artofmourning.com/2014/10/25/butterfly-symbols-and-19th-century-jewellery/

In the 20th century, butterflies appeared in the flowing, organic lines of Art Nouveau and often featured in jewellery and silverware.

Face and butterfly on exterior of chapel. copyright Carole Tyrrell

Face and butterfly on exterior of chapel.
copyright Carole Tyrrell

This example is from the Watts Chapel in Surrey and shows the flowing lines and stylised butterfly.   They also appear in vanitas paintings, the name given to a particular category of symbolic works of art and especially those associated with the still life paintings of the 16th and 17th centuries in Flanders and the Netherlands.    In these the viewer was asked to look at various symbols within the painting such as skulls, rotting fruit etc and ponder on the worthlessness of all earthly goods and pursuits as well as admiring the artist’s skill in depicting these.  Butterflies in this context can be seen as fleeting pleasure as they have a short life of just two weeks.

Butterfly traditions

There are many superstitions and beliefs associated with butterflies.  They are often regarded as omens, good and bad, or as an advance messenger indicating that a visitor or loved one is about to arrive. In Japan, they are traditionally associated with geishas due to their associations with beauty and delicate femininity.

Butterfly & Chinese wisteria by Xu Xi Early Sing Dynasty c970. By Xü Xi (Scanned from an old Chinese book) [Public domain], via Wikimedia Commons
Butterfly & Chinese wisteria by Xu Xi Early Sing Dynasty c970.
By Xü Xi (Scanned from an old Chinese book) [Public domain], via Wikimedia Commons

The Chinese see them as good luck and a symbol of immortality. Sailors thought that if they saw one before going on ship it meant that they would die at sea .  In Devon it was traditional to kill the first butterfly that you saw or have a year of bad luck as a result. In Europe the butterfly was seen as the spirit of the dead and, in the Gnostic tradition, the angel of death is often shown crushing a butterfly underfoot.   In some areas in England, it’s thought that butterflies contain the souls of children who have come back to life. A butterfly’s colours can also be significant. A black one can indicate death and a white one signifies the souls or the departed. It’s also a spiritual symbol of growth in that sometimes the past has to be discarded in order to move forward as the butterfly sheds its chrysalis to emerges complete. So it can indicate a turning point or transition in life. There are also shamanistic associations with the butterfly’s shapeshifting and it has also been claimed as a spiritual animal or totem.

Brompton Cemetery, tomb unknown

This example with its wings outstretched is from Brompton Cemetery in London.   Alas, the epitaph appears to have vanished over time and the surrounding vegetation was so luxuriant  that I will have to return in the winter to investigate further.  Note the wreath of ivy that surrounds it.  Ivy is an evergreen and is a token of eternal life and memories.  The wreath’s ribbons are also nicely carved.

The Gordon monument, Kensal Green

The second one is perched on the tomb of John Gordon Esquire, a Scotsman from Aberdeenshire who died young at only 37.  As the epitaph states   ‘it was erected to his memory as the last token of sincere love and affection by his affectionate widow’.    Gordon came from an extended family of Scottish landowners who had estates in Scotland and plantations in Tobago amongst other interests.  The monument is Grade II listed and is made of Portland stone with a York stone base and canopy supported by the pillars.  There was an urn on the pedestal  between the four tapering stone pillars but this was stolen in 1997.

The butterfly also has an ouroboros encircling it so, not only a symbol or resurrection,  but also of eternity with the tail devouring snake.  It is a little hard to see but it is there.

The butterfly symbol of the roof of the Gordon monument Kensal Green Cemetery. copyright Carole Tyrrell
The butterfly symbol of the roof of the Gordon monument Kensal Green Cemetery.
copyright Carole Tyrrell

The pharaonic heads at each corner are Egyptian elements within an ostensibly  classically inspired monument. Acroteria, or acroterion as is its singular definition, are an architectural ornament.  The ones on this monument are known as acroteria angularia. The ‘angularia’ means at the corners.

The entire monument is based on an illustration of the monument of the Murainville family in Pugin’s Views of Paris of 1822 and also on Moliere’s memorial which are both at Pere Lachaise in Paris.

The Gordon memorial incorporates elements  of the Egyptian style and symbolism that influenced 19th century funerary monuments after the first Egyptian explorations. Kensal Green contains many significant examples and there are others to be found in Brompton, Highgate and Abney Park.  The Victorians regarded the Egyptians highly as it was also a cult of the dead.

So when you next see a butterfly fluttering on the breeze or even perched on a memorial for eternity remember its importance within the tradition of symbols, religions and cultures.  Who knows it might be one of your ancestors…..

© Text and photos Carole Tyrrell unless otherwise stated.

References:

http://www.gardenswithwings.com/butterfly-stories/butterfly-symbolism.html

http://www.whats-your-sign.com/butterfly-animal-symbolism.html

http://www.spiritanimal.info/butterfly-spirit-animal/

http://www.pure-spirit.com/more-animal-symbolism/611-butterfly-symbolism

http://www.shamanicjourney.com/butterfly-power-animal-symbol-of-change-the-soul-creativity-freedom-joy-and-colour

http://www.bbc.co.uk/london/content/articles/2005/05/10/victorian_memorial_symbols_feature.shtml

http://www.thecemeteryclub.com/symbols.html

https://stoneletters.com/blog/gravestone-symbols

https://www.reference.com/world-view/butterfly-symbolize-cf9c772f26c7fa5

https://www.reference.com/world-view/butterflies-symbolize-19a1e06c9c98351c?qo=cdpArticles

https://en.wikipedia.org/wiki/Butterfly

https://en.wikipedia.org/wiki/Vanitas

https://en.wikipedia.org/wiki/Acroterion

https://historicengland.org.uk/listing/the-list/list-entry/1191024

Clare Gibson, How to Read Symbols, Herbert Press 2009

Douglas Keister, Stories in Stone, A Field Guide to Cemetery Symbolism and Iconography, Gibbs Smith, 2004

J C Cooper, Illustrated Encyclopaedia of Traditional Symbols, Thames & Hudson 1978.

Symbol of the month – the wheatsheaf

Another view of the Milnes monument, Kensal Green Cemetery.
©Carole Tyrrell

I was on a summer stroll in early July of this year in Kensal Green Cemetery when I noticed this symbol.  From where I was standing it resembled a mop head which had dried out and been left on top of a grave.  I was planning to carry on stalking obliging butterflies but curiosity got the better of me and I made my way over to the monument. It was then that I realised that the supposed mop head was in fact a beautifully sculpted wheatsheaf.

‘Had the deceased been a master baker?’ was my first thought as it’s a traditional symbol associated with them or perhaps a pub owner as you do see a lot of pubs called The Wheatsheaf. The epitaphs on both side of the tomb were virtually unreadable. However, on one side I could make out ‘Sarah’ and on the other ‘Milnes’. But more of the Milnes later as this family has a strong connection to Kensal Green Cemetery

A sheaf is a tied bunch of grain stalks after they have been harvested by hand with scythes. However with the advent of agricultural mechanisation it is now a bygone image. No-one has ever known the origins of this staple crop and so it has been regarded by many cultures as a gift from God.

The wheatsheaf and resurrection

However, the wheatsheaf symbol has always had strong associations with the theme of resurrection.

This seemingly humble grain has played its part in many funeral cults and mourning rites throughout ancient cultures. For example, the ancient Greeks and Romans regarded it as life springing from death or immortality. Priests are reputed to have sprinkled wheat flour on their victim’s head prior to sacrificing them.  Ceres and Demeter, the Greek and Roman goddesses of harvest and agriculture, often carried either a wheatsheaf or a harvester’s sickle.  Ancient Egypt was seen as the breadbasket of the ancient Mediterranean due to the volume of crops that it produced and Osiris, god of the underworld, was strongly associated with wheat within the context of a representation of rebirth.

Wheat is also important to the Christian religion with the Eucharist bread which represents the body of Christ and his sacrifice and also in remembrance of the Last Supper. There is the famous biblical quotation from Luke 22:19:

‘and he took bread and gave thanks, and brake it, and gave unto them, saying, This is my body which is given for you: do this in remembrance of me’ King James Bible.

When wheat is harvested the ground is left to lie still during the winter and then re-sown in the spring to begin the cycle of life again. Here it represents renewal and renewal as the cycle of seasons has once more given grain for bread.  There is also the association with the harvesting of years in that Death and his scythe prepare to reap at the end of life.

So there has always been an association with the wheatsheaf of resurrection and remembrance. This is where it is at its most powerful as a funerary symbol. However, Douglas Keister has also suggested that a wheatsheaf on a tombstone can indicate someone who

‘lived a long and fruitful life of more than seventy years and one that was harvested by the Reaper when it was time’

 The wheatsheaf and the Victorian cult of mourning

This is a lovely example of a wheatsheaf motif within a piece of Victorian mourning jewellery.
I found it on Pinterest and could not find the source of the image.

According to the art of mourning website, the wheatsheaf was also a very popular motif in Victorian mourning jewellery.  In fact they have suggested that it could be seen as a memento mori in that it denotes life cut and renewal or resurrection of the soul.  Its heyday was during 1820-1860 and it also survived into early 20th century mourning jewellery just as it was going out of fashion.  The wheatsheaf was often found in mourning wreaths, brooches, lockets and rings and was an effective emblem when working with hair to create these pieces.

There is also a stained glass window featuring a wheatsheaf at St Michael & All Angels in Eaton Bishop, Herefordshire but this may be a Victorian addition by Kempe after restoration.

But who lies under the Kensal Green wheatsheaf?

Thomas Millnes and his third wife, Jessie’s grave in Kensal Green Cemetery.
©Chris Bell – a family descendant

This grave contains 2 women who were, respectively, the first and second wives of the Victorian sculptor Thomas Milnes.  He is buried with his third and final wife elsewhere within Kensal Green cemetery under a far plainer stone. He certainly lived a long life – his dates are 21 December 1810 – 6 May 1888 but there’s no wheatsheaf on top of him. Milnes completed a number of funerary monuments which can be seen in churches in Gloucestershire, Cumbria and Suffolk and also statues which still stand in Norwich and Woolwich. Milnes exhibited statues and busts at the Royal Academy after entering its schools on 21 April 1841.  He also designed another monument in Kensal Green, the horse and child on top of Alfred Cooke, which, although damaged, is still in place.

However he wasn’t destined to became a major British sculptor despite, in 1858, being invited to design and model the four lions for the base of Nelson’s column.  It would have been the commission of a lifetime but his designs were deemed ‘unsuitable’ and the commission went to Sir Edwin Landseer’s monumental symbols of Empire instead.  However, Milnes lions which are, in my opinion, more lively and playful than Landseer’s can be seen in Saltaire, near Bradford.  After that he seems to have sunk in obscurity.

The ‘Sarah’ that is still legible on one side was Milnes’ first wife: Sarah Betsey Harrad. They married in London on 19 May 1836.   Sarah died on 1 April 1867 of ‘apoplexy’ which is now known as a stroke or cerebral haemorrhage.  Frances Eidsforth became his second wife on 16 July 1867 at St Georges, Bloomsbury and she died on 16 July 1875. She is buried with Sarah.

Milnes married his third and final wife, Jessie Anne Fletcher, on 1 June 1876 but there were no children from any of his marriages

A closer view of the Milnes wheatsheaf – beautifully carved and assumed to be by Tomas Milnes himself but no direct evidence.
©Carole Tyrrell

Little seems to be known about either Sarah or Frances and it’s a real shame that their epitaphs, presumably on either side of the monument are now illegible.  However I would assume that the wheatsheaf placed on top of them is a symbol or resurrection and a hope that they would all meet again in eternity.

The wheatsheaf is remarkably well carved and has outlasted the epitaphs. It has been presumed  that it is by Milnes himself but no definite proof has been found to be able to attribute it to him with certainty.

 

 

 

There is another smaller wheatsheaf in Kensal Green which is on the Samuel Horsley memorial.

These two examples are from Oak Grove Cemetery, Fall River, Massachusetts, USA – I don’t have any further details on them unfortunately.

©Text and photos Carole Tyrrell otherwise stated

I am indebted to Henry Vivian-Neal from the Friends of Kensal Green Cemetery for the biographical details on Thomas Milnes.

References:

Douglas Keister, Stories in Stone: A field guide to cemetery symbolism and iconography, Gibbs Smith 2004

www.angelfire.com

https://friendsofoakgrovecemetery.org/category/victorian-funeral-symbolism/page/2/

http://artofmourning.com/2011/02/27/symbolism-sunday-wheat/

http://www.bbc.co.uk/london/content/articles/2005/05/10/victorian_memorial_symbols_feature.shtml

http://www.everlifememorials.com/v/headstones/cemetery-symbolism.htm

https://friendsofoakgrovecemetery.org/category/victorian-funeral-symbolism/page/2/

https://stoneletters.com/blog/gravestone-symbols

http://www.symbols.com/symbol/wheat

http://www.martin-nicholson.info/cemetery/cemeteryeatonb.htm

https://breadcakesandale.wordpress.com/2015/09/23/harvest-festival-wheat-sheaf-loaf/

http://sculpture.gla.ac.uk/view/person.php?id=msib7_1206548550

http://biblehub.com/luke/22-19.htm

http://www.saltairevillage.info/saltaire_history_0065_Thomas_Milnes_nearly_man_British_sculpture.html

http://www.victorianweb.org/sculpture/milnes/chron2.html

 

Symbol(s) of the Month – the Alpha and the Omega and the Chi-Rho

It’s a two for one offer on symbols this month folks as I feature two ancient symbols which are often combined together.  They both predate Christianity and were then  adopted by the newly emerging faith.  This was a time when Christians only communicated with fellow believers via a secret language of symbols and codes known only to each other.   Discovery would have meant death and so the codes were designed to keep outsiders away.

These symbols are the Alpha and Omega and the Chi-Rho.  They’re not all that common in cemeteries but I found these two examples in Brompton Cemetery, London.   They stood out because of their simplicity and classicism.

The Alpha and Omega

This fine example which also features the Chi-Rho is on the substantial Platt memorial in Brompton Cemetery.  I’ll write about the Chi-Rho later.   Thomas Platt was the first to be buried here in 1899 followed by his wife, Annie,  who outlived him and died in 1925. Two of their daughters are also buried and commemorated here – one died in 1935 and the other, also called Annie, in 1936. I haven’t been able to find out much about him or the family but this is a substantial memorial with space for more incumbents.  It’s made of pink granite in the classical style with a large cross on top and acroteria on each of the corners on the pedestal under the Alpha and Omega, Chi-Rho and cross.

The Alpha and Omega  are very similar in a way to an ouroboros as they both express eternity.  They are formed from the first and last letters of the Greek alphabet and represent God.  He is the first – the alpha – as there is no God before him and the last – the Omega – as there is no God after him.    The symbols also appear in several Bible verses including Revelation verses 1.8:

 “I am the Alpha and the Omega, the Beginning and the End,” says the Lord, “who is and who was and who is to come, the Almighty.” King James version

They also appear in Revelation verses 21.6 and verses 22.13 as well as Isiah verses 44.6.

Both the Jewish and Islamic faiths use the first and last letters of the alphabet to describe the name of their God.

The Alpha and Omega  have been represented  by an eagle and an owl.   There has also been a suggestion that the Omega is an ancient representation of the Goddess Ishtar’s headdress and  that the Alpha was derived from the ox horn headdress worn by male deities and kings but I would like to see more evidence of this.  However it’s an interesting theory on how these symbols might have come into being.

Interestingly, the two motifs are known as a merism.  This is a figure of speech that articulates the beginning of something and the ending of something with the implication that it also refers to all things in between. For example,  for better, for worse, for richer, for poorer etc.

However, Douglas Fielder in ‘Stories in Stone’ has suggested the Alpha and Omega may be the representation of the beginning and end of a life and that would certainly fit in with their use within cemeteries. J C Cooper’s definition is that they denote the beginning and end of all things.

The Chi-Rho

This is a striking example from Brompton Cemetery London and is on the grave of Matthew Boyd Bredon.  He was an Irishman who served in the 3rd Battalion Royal Irish Fusiliers and rose through the ranks.  He became a Lieutenant in 1875 and a Captain in 1878 and became a Major. The epitaph states that he died in Swatow, or Shantou is it was originally known, in China in 1900.  This was the time of the Boxer Rebellion in which treaty ports were imposed on China by the British and other foreign powers who wanted to open up trade. However, these ports weren’t strictly ports and instead were separate communities in which foreigners lived according to their own customs, traditions and rules of law.  Bredon was also the Deputy Commissioner of Customs in China at the time of his death.  In 1900 a brass eagle was presented to his local church, St Saviours in Co Armagh, Northern Ireland in his memory.

The Chi-Rho was created by using the first two capital letters from the Greek word for Christ:

ΧΡΙΣΤΟΣ

These are Chi and Rho and this is the earliest form of christogram.  The definition of a christogram is, according to Wikipedia,

 ‘ a monogram or combination of letters that forms an abbreviation for the name of Jesus Christ and is a traditionally used as a religious symbol within the Christian church.’

The combination of the letters have led to claims that the Chi Rho symbolises the status of Jesus as the risen Christ as the vertical stroke of the Rho intersects the centre of the Chi.  Thus it could be seen as a symbol of resurrection when used in cemeteries.

However, it wasn’t   originally a religious symbol and was, instead, used to mark an especially valuable or relevant passage in a page.  When used like this it was known as a Chresten which meant ‘good.’  It also appeared on ancient Egyptian coins.

Missorium depicting Emperor Constantine’s son Constantius II accompanied by a guardsman with the Chi-Rho depicted on his shield (at left behind horse) photograph © Ludwig von Sybel 1909
Shared under Wiki Creative Commons – in public domain in country of origin.

The Roman Emperor, Constantine, (306-337) used the Chi Rho as part of a military standard known as a Labarum.  He had a dream in which he felt that military success would follow if he put a heavenly and divine symbol on his soldiers shields to protect them

From 350 onwards The Chi Rho began to appear on Christian sarcophagi and frescoes and has been found in the celebrated Roman catacombs.    It came to Britain via the Roman invasion and can be seen on a mosaic at Lullingstone Roman Villa, Kent, UK.

Nowadays it has been adopted as a popular tattoo symbol.

I did try and discover the significance of these two symbols to these two men who both died relatively young but a search through coats of arms and regimental cap badges in the case of Bredon and other sites with Platt yielded no new information. But they have left us with impressive examples of these early and powerful symbols.

©Text and photographs Carole Tyrrell unless otherwise stated

References;

Stories in Stone; A Field Guide to Cemetery Symbolism and Iconography, Douglas Keister, Gibbs M Smith, 2008

An Illustrated Encyclopaedia of Traditional Symbols, J C Cooper, Thames & Hudson, 1978

 

http://grammar.about.com/od/mo/g/Merism.htm

https://en.wikipedia.org/wiki/Alpha_and_Omega

http://www.religionfacts.com/alpha-omega

http://biblehub.com/revelation/22-13.htm

http://symboldictionary.net/?p=2883

https://library.nd.edu/about/symbols_of_christ/alpha_omega.shtml

http://www.newadvent.org/cathen/01332a.htm

https://www.gotquestions.org/alpha-and-omega.html

https://en.wikipedia.org/wiki/Chi_Rho

https://en.wikipedia.org/wiki/Christogram

http://www.dailykos.com/story/2017/3/18/1636415/-The-Daily-Bucket-A-stroll-through-London-s-Brompton-Cemetery

 

 

 

Symbol of the month – The Butterfly

 

The Gordon monument butterfly motif in all its glory. Kensal Green Cemetery. copyright Carole Tyrrell
The Gordon monument butterfly motif in all its glory. Kensal Green Cemetery.
copyright Carole Tyrrell

 

Cemeteries and graveyards can be happy hunting grounds for butterflies.  But not just the bright, dancing summer jewels, borne on the breeze, but also the much rarer kind which perches in them for eternity.

So far I’ve only discovered two of this particular species which were both in London.  One was in Brompton and the other was in Kensal Green.  But I have also seen others online in American cemeteries.

But I’m surprised that the butterfly symbol isn’t more widely used as it is a deep and powerful motif of resurrection and  reincarnation.  It has fluttered through many cultures which include Ancient Egypt, Greece and Mexico.

 

In classical myth, Psyche, which translates as ‘soul’, is represented in the form of a butterfly or as a young woman with butterfly wings.  She’s also linked with Eros the Greek God of love.   It is also a potent representation of rebirth and in this aspect, the Celts revered it.  Some of the Ancient Mexican tribes such as the Aztec and Mayans used carvings of butterflies to decorate their buildings as certain butterfly species were considered to be reincarnations of the souls of dead warriors.  The Hopi and Navaho tribes of Native American Indians performed the Butterfly Dance and viewed them as symbols of change and transformation.

The butterfly is an archetypal image of resurrection in Christianity and this meaning is derived from the 3 stages of a butterfly’s life.  These are:  1st stage = the caterpillar, 2nd stage = the chrysalis and 3rd and final stage = the butterfly.  So the sequence is life, death and resurrection.   The emergence of the butterfly from the chrysalis is likened to the soul discarding the flesh.  It has been depicted on Ancient Christian tombs and, in Christian art, Christ has been shown holding a butterfly.   It is supposed to appear chiefly on childrens memorials but the two that I’ve seen were on adult memorials.

Butterflies also feature in Victorian mourning jewellery and there is a fascinating article on this with some lovely examples at:

http://artofmourning.com/2014/10/25/butterfly-symbols-and-19th-century-jewellery/

In the 20th century, butterflies appeared in the flowing, organic lines of Art Nouveau and often featured in jewellery and silverware.

Face and butterfly on exterior of chapel. copyright Carole Tyrrell

Face and butterfly on exterior of chapel.
copyright Carole Tyrrell

This example is from the Watts Chapel in Surrey and shows the flowing lines and stylised butterfly.   They also appear in vanitas paintings, the name given to a particular category of symbolic works of art and especially those associated with the still life paintings of the 16th and 17th centuries in Flanders and the Netherlands.    In these the viewer was asked to look at various symbols within the painting such as skulls, rotting fruit etc and ponder on the worthlessness of all earthly goods and pursuits as well as admiring the artist’s skill in depicting these.  Butterflies in this context can be seen as fleeting pleasure as they have a short life of just two weeks.

 

Butterfly traditions

There are many superstitions and beliefs associated with butterflies.  They are often regarded as omens, good and bad, or as an advance messenger indicating that a visitor or loved one is about to arrive. In Japan, they are traditionally associated with geishas due to their associations with beauty and delicate femininity.

Butterfly & Chinese wisteria by Xu Xi Early Sing Dynasty c970. By Xü Xi (Scanned from an old Chinese book) [Public domain], via Wikimedia Commons
Butterfly & Chinese wisteria by Xu Xi Early Sing Dynasty c970.
By Xü Xi (Scanned from an old Chinese book) [Public domain], via Wikimedia Commons
 

The Chinese see them as good luck and a symbol of immortality. Sailors thought that if they saw one before going on ship it meant that they would die at sea .  In Devon it was traditional to kill the first butterfly that you saw or have a year of bad luck as a result. In Europe the butterfly was seen as the spirit of the dead and, in the Gnostic tradition, the angel of death is often shown crushing a butterfly underfoot.   In some areas in England, it’s thought that butterflies contain the souls of children who have come back to life. A butterfly’s colours can also be significant. A black one can indicate death and a white one signifies the souls or the departed. It’s also a spiritual symbol of growth in that sometimes the past has to be discarded in order to move forward as the butterfly sheds its chrysalis to emerges complete. So it can indicate a turning point or transition in life. There are also shamanistic associations with the butterfly’s shapeshifting and it has also been claimed as a spiritual animal or totem.

 

Brompton Cemetery, tomb unknown

This example with its wings outstretched is from Brompton Cemetery in London.   Alas, the epitaph appears to have vanished over time and the surrounding vegetation was so luxuriant  that I will have to return in the winter to investigate further.  Note the wreath of ivy that surrounds it.  Ivy is an evergreen and is a token of eternal life and memories.  The wreath’s ribbons are also nicely carved.

The Gordon monument, Kensal Green

The second one is perched on the tomb of John Gordon Esquire, a Scotsman from Aberdeenshire who died young at only 37.  As the epitaph states   ‘it was erected to his memory as the last token of sincere love and affection by his affectionate widow’.    Gordon came from an extended family of Scottish landowners who had estates in Scotland and plantations in Tobago amongst other interests.  The monument is Grade II listed and is made of Portland stone with a York stone base and canopy supported by the pillars.  There was an urn on the pedestal  between the four tapering stone pillars but this was stolen in 1997.

The butterfly also has an ouroboros encircling it so, not only a symbol or resurrection,  but also of eternity with the tail devouring snake.  It is a little hard to see but it is there.

The butterfly symbol of the roof of the Gordon monument Kensal Green Cemetery. copyright Carole Tyrrell
The butterfly symbol of the roof of the Gordon monument Kensal Green Cemetery.
copyright Carole Tyrrell

The pharaonic heads at each corner are Egyptian elements within an ostensibly  classically inspired monument. Acroteria, or acroterion as is its singular definition, are an architectural ornament.  The ones on this monument are known as acroteria angularia. The ‘angularia’ means at the corners.

The entire monument is based on an illustration of the monument of the Murainville family in Pugin’s Views of Paris of 1822 and also on Moliere’s memorial which are both at Pere Lachaise in Paris.

The Gordon memorial incorporates elements  of the Egyptian style and symbolism that influenced 19th century funerary monuments after the first Egyptian explorations. Kensal Green contains many significant examples and there are others to be found in Brompton, Highgate and Abney Park.  The Victorians regarded the Egyptians highly as it was also a cult of the dead.

So when you next see a butterfly fluttering on the breeze or even perched on a memorial for eternity remember its importance within the tradition of symbols, religions and cultures.  Who knows it might be one of your ancestors…..

© Text and photos Carole Tyrrell unless otherwise stated.

References:

http://www.gardenswithwings.com/butterfly-stories/butterfly-symbolism.html

http://www.whats-your-sign.com/butterfly-animal-symbolism.html

http://www.spiritanimal.info/butterfly-spirit-animal/

http://www.pure-spirit.com/more-animal-symbolism/611-butterfly-symbolism

http://www.shamanicjourney.com/butterfly-power-animal-symbol-of-change-the-soul-creativity-freedom-joy-and-colour

http://www.bbc.co.uk/london/content/articles/2005/05/10/victorian_memorial_symbols_feature.shtml

http://www.thecemeteryclub.com/symbols.html

https://stoneletters.com/blog/gravestone-symbols

https://www.reference.com/world-view/butterfly-symbolize-cf9c772f26c7fa5

https://www.reference.com/world-view/butterflies-symbolize-19a1e06c9c98351c?qo=cdpArticles

https://en.wikipedia.org/wiki/Butterfly

https://en.wikipedia.org/wiki/Vanitas

https://en.wikipedia.org/wiki/Acroterion

https://historicengland.org.uk/listing/the-list/list-entry/1191024

Clare Gibson, How to Read Symbols, Herbert Press 2009

Douglas Keister, Stories in Stone, A Field Guide to Cemetery Symbolism and Iconography, Gibbs Smith, 2004

J C Cooper, Illustrated Encyclopaedia of Traditional Symbols, Thames & Hudson 1978.