How Syria and Rome came to Tyneside- the tombstone of Regina.

The tombstone of the former slave Regina in the Arbeia museum, South Shields.© Carole Tyrrell

Earlier this month I went on a Roman Britain holiday in the North East of England. We stayed in South Shields which may be a little faded now but still offered enticing beach walks and a road of restaurants to explore.  But, in ancient times, when the Romans were in occupation, it was a large port and a major supply base with many people travelling through it from other parts of the Empire.  Some of them came from Syria and there is a connection between them and the headstone that I will write about in this post.

We visited two excavated Roman forts: Wallsend or Segedunum which is its Latin name and Arbeia which was surrounded by Victorian terraces.   Wallsend is so called as its at the Eastern end of Hadrian’s Wall. At the nearby Metro station all the official signs were in English and Latin which showed real attention to detail. It’s a large site with a 360 degree viewing platform.

The granaries and in the top left hand corner, the reconstructed West Gate.© Chris McKenna user name: Thryduulf. Shared under Wiki Creative Commons

The recreated West Gate, Arbeia. © Carole Tyrrell

Arbeia was a short walk from the hotel and has been partly excavated and partly recreated.  Replicas of the West Gate and the Commanding Officers house were waiting for us to explore.  I would hazard a guess that the Romans were glad of having underfloor heating! The Victorian streets all had a Roman flavour to their names: Vespasian Avenue, Caesar’s Walk and Claudius Court were among them.  More attention to detail which I liked. Some of the houses were built over the site until the local council realised what treasures might lie beneath and they were demolished. There is a small museum which contains finds from the site and information about Roman customs.  A selection of altars were on display which were used to pray and make offerings to their gods. They were rumoured to have been found in nearby back gardens. Perfect bird baths perhaps?

Roman altars on display, Arbeia museum.© Carole Tyrrell

But the pride of the museum in my opinion were the two beautiful headstones on display. They were dedicated to two people who were former slaves but were given their freedom. One, a young woman called Regina, was British and the other was a young man, Victor, who originally came from North Africa. Both of the headstones were apparently found in car parks so we are lucky that they have survived at all.

Regina became a free woman after her marriage to a Syrian man called Barates. She came from a tribe called the Catuvellaumi who came from what we now know as Hertfordshire.  Barates came from the trading city of Palmyra in Syria which is situated 215 miles north east of Damascus, the Syrian capital. It’s an ancient city and archaeological finds dating back to the Neolithic period have been found there. It became part of the Roman empire during the first century. Palmyra was an extremely wealthy city due to trading caravans and colonies along the Silk Road and throughout The Roman Empire. The Silk Road may also have been how the Black Death spread. In 1400, it was destroyed and became a minor settlement, its past glories forgotten. In 1932, under French rule, its inhabitants were moved into a new village and it became an excavation site. Islamic State destroyed large parts of the city until the Syrian Army recaptured it on 2 March 2017. In December 2024, after the fall of the Assad regime, the Syrian Free Army captured it.

Peristyl House, Palmyra Syria copyright Xvlun-commons-wiki

Palmyra, Syria Senate House copyright Maria Millella shared under Wiki Commons

There is a cemetery outside the Arbeia site as it was Roman custom to bury the dead outside city walls. The dead could be burned on a wooden funeral pyre and some of their remains collected to be buried in a pot which was known as cremation. They could also be buried and laid out in a grave or rectangular pit which was known as inhumation. In addition, they could have a wooden coffin or cloth shroud and have some of their personal possessions buried with them.

It was the Romans who introduced the practice of having an inscribed headstone.  The inscriptions reveal all sorts of information about a person such as name, age, nationality and familial relationships. They make the deceased into real people again!

Both Regina and Victor’s tombstones resemble other examples of Romao-British stones in shape and general design. But as one interpretation board said:

‘…in their carving there are strong parallels with other examples found at Palmyra which led to a fusion of styles.’

Both Regina and Victor died young. She was 30 and he was 20. But Regina enjoyed the lifestyle and status that she had as a free woman and her elegant headstone reflects this in the symbols used on it. She wears the fashionable provincial dress of the day and sits in a Roman style high backed chair facing the viewer.  It’s sad that her face is has been damaged but I would imagine that it would have been carved to resemble fashionable Roman women of the time and not a portrait of her.

Roman society was very traditional and women had very limited roles. A memorial like Regina’s would have emphasised her domestic duties. She holds a distaff and spindle for spinning wool and there is a basket of spun balls of wool beside her chair and these would have been included to demonstrate that she was an industrious, dutiful wife. She is opening a treasure box with her other hand. There is a herringbone pattern on her necklace which has been seen on other depictions of Roman women and reflect the conventions of the time.  Regina’s headstone is unusual in that, although the inscription is in Latin, it also has a line of Arabic beneath it. It has been suggested that it was carved by a Syrian which may indicate a small community in the area or a someone just passing through. It’s written in Palmyrene text in Arabic which is similar to ancient Hebrew.

Closer view of Regina holding her distaff and spindle and the balls of wool beside her. copyright Carole Tyrrell

Closer view of Regina’s epitaph in Latin and below in Palmyrene text. Copyright Carole Tyrrell

The Latin inscription reads:-

‘D(IS) M(ANIBUS) REGINA LIBERTA ET CONIUGE

BARATES PALYMENUS NATIONE

CATULLAUANA AN(NORUM) XXXX’

Which can be translated as:

‘To the spirits of the departed (and) of Regina,

Freedwoman and wife of Barates of Palmyra

Catuvellauni by birth died aged 30.’

The line of Palmyrene text below the Latin reads:

‘RYGN’BT HRY BR ‘T’ HBL’

Which translates as:

‘Regina, freedwoman of Barates, alas

It’s a real shame that Regina’s head is missing but if a sculpture is going to be damaged, it’s generally the head that goes first. It’s interesting to think that a port in the North East of England attracted so many people from other lands and how Barates and Regina actually met. A beautiful tribute to a much loved wife.

Part 2 – Victor’s headstone

©Text and photos Carole Tyrrell with grateful thanks to Tyne & Wear County Council.

References and further reading:

Palmyra – Wikipedia

Arbeia, South Shields Roman Fort – Experience life on the edge of the Roman Empire

Women in ancient Rome – Wikipedia

Lion mask – Wikipedia

Symbol of the month – the butterfly

Butterfly season has now begun in earnest and I have already whiled away several hours in my local park watching them flitting about in the summer sun. Bright, dancing summer jewels dancing on the breeze. But I have seen also seen more permanent butterfly visitors in cemeteries and churchyards – the kind that are perched there for eternity. They are much more than a brightly coloured insect and are symbols of transformation and rebirth

The Gordon monument butterfly motif in all its glory. Kensal Green Cemetery.
copyright Carole Tyrrell

So far I’ve only discovered two of this particular species which were both in London.  One was in Brompton and the other was in Kensal Green.  But I have also seen others online in American cemeteries.

But I’m surprised that the butterfly symbol isn’t more widely used as it is a deep and powerful motif of resurrection and  reincarnation.  It has fluttered through many cultures which include Ancient Egypt, Greece and Mexico.

Gold disc found at Myceanae near Greece – possibly dating from 1350 BC
Ancient Egyptian relief sculpture 26th Dynasty Thebes 664-525 BC
reincarnation.  copyright Sailko (Own work) [CC BY-SA 3.0 (http://creativecommons.org/licenses/by-sa/3.0)%5D, via Wikimedia Commons

There is also the celebrated Neolithic ‘butterfly stone’ found at the Ness of Brodgar which I saw at the British Museum’s ‘Stonehenge’ exhibition in 2023.

In classical myth, Psyche, which translates as ‘soul’, is represented in the form of a butterfly or as a young woman with butterfly wings.  She’s also linked with Eros the Greek God of love.  The butterfly is also a potent representation of rebirth which is why the the Celts revered it.  Some of the Ancient Mexican tribes such as the Aztec and Mayans used carvings of butterflies to decorate their buildings as certain butterfly species were considered to be reincarnations of the souls of dead warriors.  The Hopi and Navaho tribes of Native American Indians performed the Butterfly Dance and viewed them as symbols of change and transformation.

In Christianity the butterfly is an archetypal image of resurrection in and this meaning is derived from the 3 stages of a butterfly’s life.  These are:  1st stage = the caterpillar, 2nd stage = the chrysalis and 3rd and final stage = the butterfly.  So the sequence is life, death and resurrection.   The emergence of the butterfly from the chrysalis is likened to the soul discarding the flesh.  It has been depicted on Ancient Christian tombs and in Christian art Christ has been shown holding a butterfly. 

Butterflies also feature in Victorian mourning jewellery and there is a fascinating article on this with some lovely examples at:

Butterfly Symbols and 19th Century Jewellery – Art of Mourning

They also appear in vanitas paintings. This is the name given to a particular category of symbolic works of art and especially those associated with the still life paintings of the 16th and 17th centuries in Flanders and the Netherlands.    In these the viewer was asked to look at various symbols within the painting such as skulls and rotting fruit and ponder on the worthlessness of all earthly goods and pursuits. They are also invited to admire the artist’s skill in depicting these.  Butterflies in this context can be seen as fleeting pleasure as they have a short life of just two weeks. In the 20th century, butterflies appeared in the flowing, organic lines of Art Nouveau and often featured in jewellery and silverware.

Vanitas Jan Sanders Van Hemessen 1535 – 1540.
https://commons.wikimedia.org/wiki/File%3ALille_Hemessen_vanitas.JPG. Note the butterfly wings being worn by the central figure.
Vanitas Still Life – Maria van Oosterwijck (1630-16930
Maria van Oosterwijck [Public domain], via Wikimedia Commons

Vanitas by Antonio de Pereda (painted during 1632-1636) shared under Wiki Commons

Butterfly traditions

There are many superstitions and beliefs associated with butterflies.  They are often regarded as omens, good and bad, or as an advance messenger indicating that a visitor or loved one is about to arrive. In Japan, they are traditionally associated with geishas due to their associations with beauty and delicate femininity.

Butterfly & Chinese wisteria by Xu Xi Early Sing Dynasty c970.
copyright Xü Xi (Scanned from an old Chinese book) [Public domain], via Wikimedia Commons

The Chinese see them as good luck and a symbol of immortality. Sailors thought that if they saw one before going on ship it meant that they would die at sea .  In Devon it was traditional to kill the first butterfly that you saw or have a year of bad luck as a result. In Europe the butterfly was seen as the spirit of the dead and, in the Gnostic tradition, the angel of death is often shown crushing a butterfly underfoot. In some areas in England, it’s thought that butterflies contain the souls of children who have come back to life. A butterfly’s colours can also be significant. A black one can indicate death and a white one signifies the souls or the departed. It’s also a spiritual symbol of growth in that sometimes the past has to be discarded in order to move forward as the butterfly sheds its chrysalis to emerges complete. So it can indicate a turning point or transition in life. There are also shamanistic associations with the butterfly’s shapeshifting and it has also been claimed as a spiritual animal or totem.

Brompton Cemetery, tomb unknown

This example with its wings outstretched is from Brompton Cemetery in London.   Alas, the epitaph appears to have vanished over time even with vegetation die back in winter I still couldn’t find out who it it was.  Note the wreath of ivy that surrounds it.  Ivy is an evergreen and is a token of eternal life and memories. 

An example of a stylised butterfly on a tombstone in Brompton Cemetery in London. Unfortunately the epitaph is now unreadable. copyright Carole Tyrrell
Another view of the Brompton Butterfly surrounded by an ivy wreath.
copyright Carole Tyrrell

The Gordon monument, Kensal Green

The second one is perched on the tomb of John Gordon Esquire, a Scotsman from Aberdeenshire who died young at only 37.  As the epitaph states:

it was erected to his memory as the last token of sincere love and affection by his affectionate widow’.  

Gordon came from an extended family of Scottish landowners who had estates in Scotland and plantations in Tobago amongst other interests.  The monument is Grade II listed and is made of Portland stone with a York stone base and canopy supported by the pillars.  There was an urn on the pedestal  between the four tapering stone pillars which was stolen in 1997.

John Gordon’s epitaph Kensal Green Cemetery.
copyright Carole Tyrrell
The Gordon Monument in Kensal Green Cemetery. There are traces of something once being in place – perhaps an urn – on the platform between the pillars.
copyright Carole Tyrrell

The butterfly also has an ouroboros encircling it which is a symbol of eternity. This is the circle created by a snake devouring each its own tail. So the whole sculpture is of a butterfly indicating resurrection within an eternal circle of life, death and rebirth.

The ouroboros symbol surrounding the butterfly symbol of the roof of the Gordon monument Kensal Green Cemetery.
copyright Carole Tyrrell

The pharaonic heads at each corner are Egyptian elements within an ostensibly classically inspired monument are known as acroteria.. Acroteria, or acroterion, its singular definition, are an architectural ornament.  The ones on this monument are known as acroteria angularia. The ‘angularia’ means ‘at the corners’.

Detail of the roof of the monument – note the Pharaonic head, one at each corner, and another glimpse of the butterfly. Kensal Green Cemetery
copyright Carole Tyrrell
Close- up of one of the four Pharaonic heads on the Gordon monument. Kensal Green Cemetery
copyright Carole Tyrrell


The entire monument is based on an illustration of the monument of the Murainville family in Pugin’s Views of Paris of 1822 and also on Moliere’s memorial which are both at Pere Lachaise in Paris. The Gordon memorial incorporates elements  of the Egyptian style and symbolism that influenced 19th century funerary monuments after the first Egyptian explorations. Kensal Green contains many significant examples and there are others to be found in Brompton, Highgate and Abney Park.  The Victorians regarded the Egyptians highly as their religion was a cult of the dead. 

So when you next see a butterfly fluttering on the wind or even perched on a memorial for eternity remember its importance within the tradition of symbols, religions and cultures.  Who knows it might be one of your ancestors…..

© Text and photos Carole Tyrrell unless otherwise stated.

References:

http://www.gardenswithwings.com/butterfly-stories/butterfly-symbolism.html

http://www.whats-your-sign.com/butterfly-animal-symbolism.html

http://www.spiritanimal.info/butterfly-spirit-animal/

http://www.pure-spirit.com/more-animal-symbolism/611-butterfly-symbolism

http://www.shamanicjourney.com/butterfly-power-animal-symbol-of-change-the-soul-creativity-freedom-joy-and-colour

http://www.bbc.co.uk/london/content/articles/2005/05/10/victorian_memorial_symbols_feature.shtml

http://www.thecemeteryclub.com/symbols.html

https://stoneletters.com/blog/gravestone-symbols

https://www.reference.com/world-view/butterfly-symbolize-cf9c772f26c7fa5

https://www.reference.com/world-view/butterflies-symbolize-19a1e06c9c98351c?qo=cdpArticles

https://en.wikipedia.org/wiki/Butterfly

https://en.wikipedia.org/wiki/Vanitas

https://en.wikipedia.org/wiki/Acroterion

https://historicengland.org.uk/listing/the-list/list-entry/1191024

Behold the ‘Butterfly Stone’ – The Ness of Brodgar Project

Clare Gibson, How to Read Symbols, Herbert Press 2009

Douglas Keister, Stories in Stone, A Field Guide to Cemetery Symbolism and Iconography, Gibbs Smith, 2004

J C Cooper, Illustrated Encyclopaedia of Traditional Symbols, Thames & Hudson 1978.