How Syria and Rome came to Tyneside- the tombstone of Regina.

The tombstone of the former slave Regina in the Arbeia museum, South Shields.© Carole Tyrrell

Earlier this month I went on a Roman Britain holiday in the North East of England. We stayed in South Shields which may be a little faded now but still offered enticing beach walks and a road of restaurants to explore.  But, in ancient times, when the Romans were in occupation, it was a large port and a major supply base with many people travelling through it from other parts of the Empire.  Some of them came from Syria and there is a connection between them and the headstone that I will write about in this post.

We visited two excavated Roman forts: Wallsend or Segedunum which is its Latin name and Arbeia which was surrounded by Victorian terraces.   Wallsend is so called as its at the Eastern end of Hadrian’s Wall. At the nearby Metro station all the official signs were in English and Latin which showed real attention to detail. It’s a large site with a 360 degree viewing platform.

The granaries and in the top left hand corner, the reconstructed West Gate.© Chris McKenna user name: Thryduulf. Shared under Wiki Creative Commons

The recreated West Gate, Arbeia. © Carole Tyrrell

Arbeia was a short walk from the hotel and has been partly excavated and partly recreated.  Replicas of the West Gate and the Commanding Officers house were waiting for us to explore.  I would hazard a guess that the Romans were glad of having underfloor heating! The Victorian streets all had a Roman flavour to their names: Vespasian Avenue, Caesar’s Walk and Claudius Court were among them.  More attention to detail which I liked. Some of the houses were built over the site until the local council realised what treasures might lie beneath and they were demolished. There is a small museum which contains finds from the site and information about Roman customs.  A selection of altars were on display which were used to pray and make offerings to their gods. They were rumoured to have been found in nearby back gardens. Perfect bird baths perhaps?

Roman altars on display, Arbeia museum.© Carole Tyrrell

But the pride of the museum in my opinion were the two beautiful headstones on display. They were dedicated to two people who were former slaves but were given their freedom. One, a young woman called Regina, was British and the other was a young man, Victor, who originally came from North Africa. Both of the headstones were apparently found in car parks so we are lucky that they have survived at all.

Regina became a free woman after her marriage to a Syrian man called Barates. She came from a tribe called the Catuvellaumi who came from what we now know as Hertfordshire.  Barates came from the trading city of Palmyra in Syria which is situated 215 miles north east of Damascus, the Syrian capital. It’s an ancient city and archaeological finds dating back to the Neolithic period have been found there. It became part of the Roman empire during the first century. Palmyra was an extremely wealthy city due to trading caravans and colonies along the Silk Road and throughout The Roman Empire. The Silk Road may also have been how the Black Death spread. In 1400, it was destroyed and became a minor settlement, its past glories forgotten. In 1932, under French rule, its inhabitants were moved into a new village and it became an excavation site. Islamic State destroyed large parts of the city until the Syrian Army recaptured it on 2 March 2017. In December 2024, after the fall of the Assad regime, the Syrian Free Army captured it.

Peristyl House, Palmyra Syria copyright Xvlun-commons-wiki

Palmyra, Syria Senate House copyright Maria Millella shared under Wiki Commons

There is a cemetery outside the Arbeia site as it was Roman custom to bury the dead outside city walls. The dead could be burned on a wooden funeral pyre and some of their remains collected to be buried in a pot which was known as cremation. They could also be buried and laid out in a grave or rectangular pit which was known as inhumation. In addition, they could have a wooden coffin or cloth shroud and have some of their personal possessions buried with them.

It was the Romans who introduced the practice of having an inscribed headstone.  The inscriptions reveal all sorts of information about a person such as name, age, nationality and familial relationships. They make the deceased into real people again!

Both Regina and Victor’s tombstones resemble other examples of Romao-British stones in shape and general design. But as one interpretation board said:

‘…in their carving there are strong parallels with other examples found at Palmyra which led to a fusion of styles.’

Both Regina and Victor died young. She was 30 and he was 20. But Regina enjoyed the lifestyle and status that she had as a free woman and her elegant headstone reflects this in the symbols used on it. She wears the fashionable provincial dress of the day and sits in a Roman style high backed chair facing the viewer.  It’s sad that her face is has been damaged but I would imagine that it would have been carved to resemble fashionable Roman women of the time and not a portrait of her.

Roman society was very traditional and women had very limited roles. A memorial like Regina’s would have emphasised her domestic duties. She holds a distaff and spindle for spinning wool and there is a basket of spun balls of wool beside her chair and these would have been included to demonstrate that she was an industrious, dutiful wife. She is opening a treasure box with her other hand. There is a herringbone pattern on her necklace which has been seen on other depictions of Roman women and reflect the conventions of the time.  Regina’s headstone is unusual in that, although the inscription is in Latin, it also has a line of Arabic beneath it. It has been suggested that it was carved by a Syrian which may indicate a small community in the area or a someone just passing through. It’s written in Palmyrene text in Arabic which is similar to ancient Hebrew.

Closer view of Regina holding her distaff and spindle and the balls of wool beside her. copyright Carole Tyrrell

Closer view of Regina’s epitaph in Latin and below in Palmyrene text. Copyright Carole Tyrrell

The Latin inscription reads:-

‘D(IS) M(ANIBUS) REGINA LIBERTA ET CONIUGE

BARATES PALYMENUS NATIONE

CATULLAUANA AN(NORUM) XXXX’

Which can be translated as:

‘To the spirits of the departed (and) of Regina,

Freedwoman and wife of Barates of Palmyra

Catuvellauni by birth died aged 30.’

The line of Palmyrene text below the Latin reads:

‘RYGN’BT HRY BR ‘T’ HBL’

Which translates as:

‘Regina, freedwoman of Barates, alas

It’s a real shame that Regina’s head is missing but if a sculpture is going to be damaged, it’s generally the head that goes first. It’s interesting to think that a port in the North East of England attracted so many people from other lands and how Barates and Regina actually met. A beautiful tribute to a much loved wife.

Part 2 – Victor’s headstone

©Text and photos Carole Tyrrell with grateful thanks to Tyne & Wear County Council.

References and further reading:

Palmyra – Wikipedia

Arbeia, South Shields Roman Fort – Experience life on the edge of the Roman Empire

Women in ancient Rome – Wikipedia

Lion mask – Wikipedia

Symbol of the Month – The Mourning Woman

 

A fine example from Kensal Green Cemetery on the Isabella Shaw memorial.
©Carole Tyrrell

 

This month’s symbol is the Mourning Woman who is derived from Classicism and its association with ancient Greece and Rome.  I would hesitate before describing their presence in Victorian cemeteries and churchyards as a monstrous regiment but they have mostly been on duty for over a hundred years.  They patiently watch over and grieve for the departed.  An eternal mourner, often with a veil covering her head and swathed in flowing robes, she keeps vigil.

The Mourning Woman can be a free standing statue on top of a monument or plinth looking sorrowfully down on the viewer.  She can also be in the form of a 3D relief weeping over an urn containing the beloved’s ashes as in these examples:

 

At West Norwood cemetery there is this example of one resting on a lifesize cross (I hate to say it but whenever I see her I’m always reminded of the George Formby song ‘I’m Leaning on a lamp post…etc.).

A full view of the mourning woman as she rests on a cross on the Herbert Warren memorial, West Norwood Cemetery.
©Carole Tyrrell

 

Classicism held sway when London’s Magnificent Seven cemeteries were created. The anti-Catholic movement from the Georgian era was still a major influence with the cry ‘No Popery!’ loudly shouted.   So no crosses, no statues of Jesus or any angels were permitted.  Instead the clear cool lines of the ancient world were used as well as some of their traditions.

Mourning women were one of these as women played an integral part in the funerary ritual in ancient Egypt, Greece and Rome.   In the latter they were paid professional mourners as the more mourners there were at a funeral the more wealthy and prestigious the departed had been in life.  In the funeral procession which took place prior to the cremation the professional mourning women, who were not part of the deceased’s family, would loudly wail, rip out their hair and also scratch their faces in mourning according to contemporary records.  It was felt that women could more easily express emotions as it was unacceptable for a man to weep in public.

There are several Biblical references to the mourning women.  They are mentioned in Amos 5:16, Chronicles 35:25 and also in Jeremiah 9:17 as below

Thus saith the LORD of hosts,

Consider ye, and call for the mourning women,

that they may come;

and send for cunning women, that they may come:
King James Bible

 

The reference to ‘cunning’ women means ‘skilled’ women.

They would often weep noisily and copiously spilling their tears into vessels known as tear catchers or lachrimosa.  At the recent excellent Museum of Docklands exhibition, The Roman Dead, there were some on display.  They were small glass vessels and were placed in tombs, presumably overflowing, after the funeral was complete. Again, if many tears were collected, it signified that the deceased was held in high esteem and those crying the most would receive a higher payment.

Incidentally the tear catchers became fashionable again in the 19th century with the Victorian cult of death.  But this time the bottles had special stoppers that allowed the tears to evaporate and when they did the mourning period would be over.  There is also a Biblical association with the practice of collecting tears in bottles in Psalms 56:8:

Thou tellest my wanderings:

put thou my tears into thy bottle:

are they not in thy book?

King James Bible

 

In ancient Greece it was again women who prepared the body and then laid it out ready for viewing on the second day.

Kinswomen, wrapped in dark robes, stood round the bier, the chief mourner, either mother or wife, was at the head, and others behind. This part of the funeral rites wasthe prothesis. Women led the mourning by chanting dirges, tearing at their hair and clothing, and striking their torso, particularly their breasts.

Wikipedia

 

Here is a 6th century depiction of ancient Greek professional mourning women in full flow:

Body lying in state attended by family members with the mournign women ritually tearing their hair, Terracotta plaque – late 6th century BC. Walters Art Museum, Baltimore, USA
Shared under Wiki Creative Commons

 

So for centuries women have been associated with, and played a major part, in the funerary process which may have been one of the reasons for the Mourning Woman appearing in cemeteries.

I feel that these women could be seen as a forerunner of the winged angels that flew into cemeteries towards the end of the 19th century.  Both of them were guardians of the dead protecting them for eternity.

To end on, here is an lovely example that I unexpectedly discovered while on a Sunday afternoon stroll in the ‘secret’ graveyard behind St Nicholas’s church in Sevenoaks.  She stands, surrounded by back gardens, and is a particularly elegant version.  The memorial beneath her feet is dedicated to Elizabeth Dick and was erected by her sorrowing husband.

Sleep well for eternity Elizabeth and all those guarded by the mourning women.

©Text and photos Carole Tyrrell unless otherwise stated

References and further reading:

https://victorianmonsters.wordpress.com/victorian-funerary-practices/https://victorianmonsters.wordpress.com/victorian-funerary-practices/

https://www.ancient.eu/article/96/the-roman-funeral/

https://en.wikipedia.org/wiki/Roman_funerary_practices

http://penelope.uchicago.edu/Thayer/E/Roman/Texts/secondary/SMIGRA*/Funus.html

https://www.psychologytoday.com/gb/blog/understanding-grief/201802/professional-mourners-ancient-tradition

https://biblehub.com/jeremiah/9-17.htm

https://en.wikipedia.org/wiki/Professional_mourning

http://www.lachrymatory.com/History.htm

https://en.wikipedia.org/wiki/Ancient_Greek_funeral_and_burial_practices

http://penelope.uchicago.edu/Thayer/E/Roman/Texts/secondary/SMIGRA*/Funus.html