How Syria and Rome came to Tyneside- the tombstone of Regina.

The tombstone of the former slave Regina in the Arbeia museum, South Shields.© Carole Tyrrell

Earlier this month I went on a Roman Britain holiday in the North East of England. We stayed in South Shields which may be a little faded now but still offered enticing beach walks and a road of restaurants to explore.  But, in ancient times, when the Romans were in occupation, it was a large port and a major supply base with many people travelling through it from other parts of the Empire.  Some of them came from Syria and there is a connection between them and the headstone that I will write about in this post.

We visited two excavated Roman forts: Wallsend or Segedunum which is its Latin name and Arbeia which was surrounded by Victorian terraces.   Wallsend is so called as its at the Eastern end of Hadrian’s Wall. At the nearby Metro station all the official signs were in English and Latin which showed real attention to detail. It’s a large site with a 360 degree viewing platform.

The granaries and in the top left hand corner, the reconstructed West Gate.© Chris McKenna user name: Thryduulf. Shared under Wiki Creative Commons

The recreated West Gate, Arbeia. © Carole Tyrrell

Arbeia was a short walk from the hotel and has been partly excavated and partly recreated.  Replicas of the West Gate and the Commanding Officers house were waiting for us to explore.  I would hazard a guess that the Romans were glad of having underfloor heating! The Victorian streets all had a Roman flavour to their names: Vespasian Avenue, Caesar’s Walk and Claudius Court were among them.  More attention to detail which I liked. Some of the houses were built over the site until the local council realised what treasures might lie beneath and they were demolished. There is a small museum which contains finds from the site and information about Roman customs.  A selection of altars were on display which were used to pray and make offerings to their gods. They were rumoured to have been found in nearby back gardens. Perfect bird baths perhaps?

Roman altars on display, Arbeia museum.© Carole Tyrrell

But the pride of the museum in my opinion were the two beautiful headstones on display. They were dedicated to two people who were former slaves but were given their freedom. One, a young woman called Regina, was British and the other was a young man, Victor, who originally came from North Africa. Both of the headstones were apparently found in car parks so we are lucky that they have survived at all.

Regina became a free woman after her marriage to a Syrian man called Barates. She came from a tribe called the Catuvellaumi who came from what we now know as Hertfordshire.  Barates came from the trading city of Palmyra in Syria which is situated 215 miles north east of Damascus, the Syrian capital. It’s an ancient city and archaeological finds dating back to the Neolithic period have been found there. It became part of the Roman empire during the first century. Palmyra was an extremely wealthy city due to trading caravans and colonies along the Silk Road and throughout The Roman Empire. The Silk Road may also have been how the Black Death spread. In 1400, it was destroyed and became a minor settlement, its past glories forgotten. In 1932, under French rule, its inhabitants were moved into a new village and it became an excavation site. Islamic State destroyed large parts of the city until the Syrian Army recaptured it on 2 March 2017. In December 2024, after the fall of the Assad regime, the Syrian Free Army captured it.

Peristyl House, Palmyra Syria copyright Xvlun-commons-wiki

Palmyra, Syria Senate House copyright Maria Millella shared under Wiki Commons

There is a cemetery outside the Arbeia site as it was Roman custom to bury the dead outside city walls. The dead could be burned on a wooden funeral pyre and some of their remains collected to be buried in a pot which was known as cremation. They could also be buried and laid out in a grave or rectangular pit which was known as inhumation. In addition, they could have a wooden coffin or cloth shroud and have some of their personal possessions buried with them.

It was the Romans who introduced the practice of having an inscribed headstone.  The inscriptions reveal all sorts of information about a person such as name, age, nationality and familial relationships. They make the deceased into real people again!

Both Regina and Victor’s tombstones resemble other examples of Romao-British stones in shape and general design. But as one interpretation board said:

‘…in their carving there are strong parallels with other examples found at Palmyra which led to a fusion of styles.’

Both Regina and Victor died young. She was 30 and he was 20. But Regina enjoyed the lifestyle and status that she had as a free woman and her elegant headstone reflects this in the symbols used on it. She wears the fashionable provincial dress of the day and sits in a Roman style high backed chair facing the viewer.  It’s sad that her face is has been damaged but I would imagine that it would have been carved to resemble fashionable Roman women of the time and not a portrait of her.

Roman society was very traditional and women had very limited roles. A memorial like Regina’s would have emphasised her domestic duties. She holds a distaff and spindle for spinning wool and there is a basket of spun balls of wool beside her chair and these would have been included to demonstrate that she was an industrious, dutiful wife. She is opening a treasure box with her other hand. There is a herringbone pattern on her necklace which has been seen on other depictions of Roman women and reflect the conventions of the time.  Regina’s headstone is unusual in that, although the inscription is in Latin, it also has a line of Arabic beneath it. It has been suggested that it was carved by a Syrian which may indicate a small community in the area or a someone just passing through. It’s written in Palmyrene text in Arabic which is similar to ancient Hebrew.

Closer view of Regina holding her distaff and spindle and the balls of wool beside her. copyright Carole Tyrrell

Closer view of Regina’s epitaph in Latin and below in Palmyrene text. Copyright Carole Tyrrell

The Latin inscription reads:-

‘D(IS) M(ANIBUS) REGINA LIBERTA ET CONIUGE

BARATES PALYMENUS NATIONE

CATULLAUANA AN(NORUM) XXXX’

Which can be translated as:

‘To the spirits of the departed (and) of Regina,

Freedwoman and wife of Barates of Palmyra

Catuvellauni by birth died aged 30.’

The line of Palmyrene text below the Latin reads:

‘RYGN’BT HRY BR ‘T’ HBL’

Which translates as:

‘Regina, freedwoman of Barates, alas

It’s a real shame that Regina’s head is missing but if a sculpture is going to be damaged, it’s generally the head that goes first. It’s interesting to think that a port in the North East of England attracted so many people from other lands and how Barates and Regina actually met. A beautiful tribute to a much loved wife.

Part 2 – Victor’s headstone

©Text and photos Carole Tyrrell with grateful thanks to Tyne & Wear County Council.

References and further reading:

Palmyra – Wikipedia

Arbeia, South Shields Roman Fort – Experience life on the edge of the Roman Empire

Women in ancient Rome – Wikipedia

Lion mask – Wikipedia

Symbol of the Month – the open book

Another example from Beckenham Cemetery where the inscription is now unreadable but the weathering of the stone makes it still very attractive.
©Carole Tyrrell

 

Sometimes a wander through a cemetery can make you feel as if you’re in a heavenly library due to the number of open books reverently laid on top of graves.  They’re usually made from stone or granite, inscribed with the name and dates of the deceased and often a decorative book marker complete with carved tassel keeping the pages open.  On first appearance the open book can seem a very simple and obvious symbol and it’s used in place of a more formal headstone. But, as with other symbols, it can have alternative meanings.

The 3 dimensional version that is carved to simulate a real book is a 20th century innovation.  Prior to this it was rendered in a 2 dimensional, flat form and can be found on 18th and 19th century tombstones as part of an overall design or epitaph.  This example is from the Gibbs memorial in Brompton cemetery in which the downwardly pointing finger indicates the large open book.

The open book can almost resemble a visitors book with the deceased’s details inscribed on it as if they were signing in or checking out for eternity and sometimes one page is left blank for perhaps the partner who will follow.  On a recent stroll through Beckenham I came across several variations:

For example, there was one with both pages blank which could indicate that the inscription has worn off or that they were ready to be written for eternity.  The latter echoes the well-known phrase  ‘he or she can be read like an open book’ and the empty pages  can indicate that this is how they want to be judged on the Day of Judgement.   The echoes the quotation from the Book of Revelation 20:11-15:

And I saw the dead, small and great, stand before God; and the books were opened: and another book was opened, which is the book of life: and the dead were judged out of those things which were written in the books, according to their works. King James Bible

This is also why the open book is also known as the Book of Life as it contains everything that the deceased has done throughout their life and for which they will now be accountable. Christ is often depicted carrying a book.  J C Cooper also sees it as the Book of Life and adds that it can also represent

‘….learning and the spirit of wisdom, revelation and …wisdom.’

It can also indicate a chapter of life has ended or closed.

Here the Book doesn’t have an epitaph but instead is inscribed with a Biblical quotation from Jeremish 31:3
©Carole Tyrrell

In this example, a favourite verse has been inscribed on the pages.  It is a quotation from Jeremiah 31:3

The LORD hath appeared of old unto me, saying, Yea, I have loved thee with an everlasting love: therefore with lovingkindness have I drawn thee. King James Bible

This makes the symbol almost resemble a Bible.  Other suggestions are that it can indicate the grave of a writer, publisher or even more obviously a clergyman.

 

It can also indicate a chapter of life has ended or closed and a variant is the closed book.  I found this one in West Norwood cemetery and it clearly indicates a life that has ended with the final chapter now written.

An example of a closed book from West Norwood Cemetery/
©Carole Tyrrell

So the open book has made me think about how my book of life would look on my last resting place. I’m determined to make sure that it’s a good read for any passing visitor.

©Text and photos Carole Tyrrell unless otherwise indicated.

References:

An illustrated Encyclopaedia of Traditional Symbols, J C Cooper, Thames & Hudson, 1978

Stories in Stone, a field guide to Cemetery Symbolism and Iconography, Douglas Keister,

Gibbs Smith, 2004

 

http://biblehub.com/search/jeremiah/31-3.htm

https://www.biblegateway.com/passage/?search=Revelation%2020:11-15

http://www.thecemeteryclub.com/symbols.html

https://stoneletters.com/blog/gravestone-symbols

https://www.thoughtco.com/photo-gallery-of-cemetery-symbolism-4123061