How Syria and Rome came to Tyneside- the tombstone of Regina.

The tombstone of the former slave Regina in the Arbeia museum, South Shields.© Carole Tyrrell

Earlier this month I went on a Roman Britain holiday in the North East of England. We stayed in South Shields which may be a little faded now but still offered enticing beach walks and a road of restaurants to explore.  But, in ancient times, when the Romans were in occupation, it was a large port and a major supply base with many people travelling through it from other parts of the Empire.  Some of them came from Syria and there is a connection between them and the headstone that I will write about in this post.

We visited two excavated Roman forts: Wallsend or Segedunum which is its Latin name and Arbeia which was surrounded by Victorian terraces.   Wallsend is so called as its at the Eastern end of Hadrian’s Wall. At the nearby Metro station all the official signs were in English and Latin which showed real attention to detail. It’s a large site with a 360 degree viewing platform.

The granaries and in the top left hand corner, the reconstructed West Gate.© Chris McKenna user name: Thryduulf. Shared under Wiki Creative Commons

The recreated West Gate, Arbeia. © Carole Tyrrell

Arbeia was a short walk from the hotel and has been partly excavated and partly recreated.  Replicas of the West Gate and the Commanding Officers house were waiting for us to explore.  I would hazard a guess that the Romans were glad of having underfloor heating! The Victorian streets all had a Roman flavour to their names: Vespasian Avenue, Caesar’s Walk and Claudius Court were among them.  More attention to detail which I liked. Some of the houses were built over the site until the local council realised what treasures might lie beneath and they were demolished. There is a small museum which contains finds from the site and information about Roman customs.  A selection of altars were on display which were used to pray and make offerings to their gods. They were rumoured to have been found in nearby back gardens. Perfect bird baths perhaps?

Roman altars on display, Arbeia museum.© Carole Tyrrell

But the pride of the museum in my opinion were the two beautiful headstones on display. They were dedicated to two people who were former slaves but were given their freedom. One, a young woman called Regina, was British and the other was a young man, Victor, who originally came from North Africa. Both of the headstones were apparently found in car parks so we are lucky that they have survived at all.

Regina became a free woman after her marriage to a Syrian man called Barates. She came from a tribe called the Catuvellaumi who came from what we now know as Hertfordshire.  Barates came from the trading city of Palmyra in Syria which is situated 215 miles north east of Damascus, the Syrian capital. It’s an ancient city and archaeological finds dating back to the Neolithic period have been found there. It became part of the Roman empire during the first century. Palmyra was an extremely wealthy city due to trading caravans and colonies along the Silk Road and throughout The Roman Empire. The Silk Road may also have been how the Black Death spread. In 1400, it was destroyed and became a minor settlement, its past glories forgotten. In 1932, under French rule, its inhabitants were moved into a new village and it became an excavation site. Islamic State destroyed large parts of the city until the Syrian Army recaptured it on 2 March 2017. In December 2024, after the fall of the Assad regime, the Syrian Free Army captured it.

Peristyl House, Palmyra Syria copyright Xvlun-commons-wiki

Palmyra, Syria Senate House copyright Maria Millella shared under Wiki Commons

There is a cemetery outside the Arbeia site as it was Roman custom to bury the dead outside city walls. The dead could be burned on a wooden funeral pyre and some of their remains collected to be buried in a pot which was known as cremation. They could also be buried and laid out in a grave or rectangular pit which was known as inhumation. In addition, they could have a wooden coffin or cloth shroud and have some of their personal possessions buried with them.

It was the Romans who introduced the practice of having an inscribed headstone.  The inscriptions reveal all sorts of information about a person such as name, age, nationality and familial relationships. They make the deceased into real people again!

Both Regina and Victor’s tombstones resemble other examples of Romao-British stones in shape and general design. But as one interpretation board said:

‘…in their carving there are strong parallels with other examples found at Palmyra which led to a fusion of styles.’

Both Regina and Victor died young. She was 30 and he was 20. But Regina enjoyed the lifestyle and status that she had as a free woman and her elegant headstone reflects this in the symbols used on it. She wears the fashionable provincial dress of the day and sits in a Roman style high backed chair facing the viewer.  It’s sad that her face is has been damaged but I would imagine that it would have been carved to resemble fashionable Roman women of the time and not a portrait of her.

Roman society was very traditional and women had very limited roles. A memorial like Regina’s would have emphasised her domestic duties. She holds a distaff and spindle for spinning wool and there is a basket of spun balls of wool beside her chair and these would have been included to demonstrate that she was an industrious, dutiful wife. She is opening a treasure box with her other hand. There is a herringbone pattern on her necklace which has been seen on other depictions of Roman women and reflect the conventions of the time.  Regina’s headstone is unusual in that, although the inscription is in Latin, it also has a line of Arabic beneath it. It has been suggested that it was carved by a Syrian which may indicate a small community in the area or a someone just passing through. It’s written in Palmyrene text in Arabic which is similar to ancient Hebrew.

Closer view of Regina holding her distaff and spindle and the balls of wool beside her. copyright Carole Tyrrell

Closer view of Regina’s epitaph in Latin and below in Palmyrene text. Copyright Carole Tyrrell

The Latin inscription reads:-

‘D(IS) M(ANIBUS) REGINA LIBERTA ET CONIUGE

BARATES PALYMENUS NATIONE

CATULLAUANA AN(NORUM) XXXX’

Which can be translated as:

‘To the spirits of the departed (and) of Regina,

Freedwoman and wife of Barates of Palmyra

Catuvellauni by birth died aged 30.’

The line of Palmyrene text below the Latin reads:

‘RYGN’BT HRY BR ‘T’ HBL’

Which translates as:

‘Regina, freedwoman of Barates, alas

It’s a real shame that Regina’s head is missing but if a sculpture is going to be damaged, it’s generally the head that goes first. It’s interesting to think that a port in the North East of England attracted so many people from other lands and how Barates and Regina actually met. A beautiful tribute to a much loved wife.

Part 2 – Victor’s headstone

©Text and photos Carole Tyrrell with grateful thanks to Tyne & Wear County Council.

References and further reading:

Palmyra – Wikipedia

Arbeia, South Shields Roman Fort – Experience life on the edge of the Roman Empire

Women in ancient Rome – Wikipedia

Lion mask – Wikipedia

Names from the Necropolis – No 1 in an occasional series.

 

The Bellchambers headstone, St Mary’s, churchyard, Rverhead, Kent
©Carole Tyrrell

 

Pottering about cemeteries, burial grounds and graveyards as I do while undertaking research can often lead to  unexpected discoveries.  As  I search for symbols and epitaphs, and the occasional wildlife, I often find unusual names recorded on headstones and memorials,  They’re often names that you don’t see every day and so, if you’re a writer like myself, cemeteries can often provide inspiration for naming characters especially if it’s a historical piece.

So here is a small selection from St Mary’s churchyard, Riverhead, near Sevenoaks, Kent that I saw earlier in February 2019 on a lovely Spring like day, Crocuses and snowdrops clustered around the headstones and seeing a name like Mercy Bellchambers on a headstone felt really appropriate.  Now that’s a name really crying out to be used in a historical novel…..

©Text and photos Carole Tyrrell

Symbol of the Month: Gather ye rosebuds while ye may as Death is always waiting

At last the endless sorting out of boxes is over after the move.  I’ve found some money I’d forgotten about, family photos and a lot of books. The Cancer r Research charity shop in the High Street is groaning under the weight of my donations and I have recycled a lot of stuff.

And now down to the important things in life – shadowsflyaway!   I didn’t have an internet connection for a few weeks which was probably a good thing as it made me concentrate on emptying boxes and organising rooms.

But let’s begin with Symbol of the Month!

This month’s symbol comes from a post on Facebook’s Folk Horror Revival page and I was intrigued enough to make this one Symbol of the Month.  I would describe it as a memento mori which is Latin for ‘Remember you must die.’

Tombstone from St Peter’s Church Falstone ,Northumberland
©Stephen Sebastian Murray

It’s a carving on a tombstone featuring a skeleton and a woman or girl facing the viewer. She is holding three flowers in one hand.  In this photo, although the skeleton almost seems to be rising from the ground, he is actually holding a scythe in one hand and an hourglass in the other.  This can be seen more clearly in the clipping from Northumberland’s Hidden History by Stan Beckensall which another reader on the strand of the post kindly attached.

Clipping on headstone from Falstone churchyard, Northumberland. taken from Northumberland’s Hidden History by Stan Beckensall used without permission.

She is wearing a tightly belted dress, perhaps fashionable in her time, and seems carefree despite having Death standing next to her in all his glory. I had the impression that this might have been on the grave of a young girl due to her dress and the flowers.

They reminded me of roses and I immediately thought of the famous phrase, ‘Gather ye rosebuds while you may’ which is a quotation from a poem by Robert Herrick, a 16th century poet.

The poem is entitled: To the Virgins to make much of time and the quotation comes from the first verse:

Gather ye rosebuds while ye may,

   Old Time is still a-flying;

And this same flower that smiles today

   Tomorrow will be dying.

So this little scene could be saying Enjoy life while you can as death will soon be here.’   It sounds a little depressing but life was shorter in earlier times. In the 19th century, for example, the average life of a working man was until their late 40’s and women often died in childbirth.  I wander around cemeteries a lot as you can imagine and there are many monuments and memorials to wives and often children who have died young as a result.  On the other hand it can be seen as uplifting in that it encourages the onlooker to enjoy life to the fullest.

Sadly I don’t know who’s buried here but she or he was obviously much missed to have such an impressive scene carved on their tombstone.

© text Carole Tyrrell photos use  with permission.

First churchyard butterfly of 2018!

The first Comma butterfly of 2018!

Seen in St George’s churchyard Beckenham on 14 April 2018 as it obligingly posed on a headstone.

Butterflies love churchyards and cemeteries as there’s often plenty of undisturbed wild flowers and long grass for them to feed on. And this was the first really warm day in ages!

©Carole Tyrrell text an dphotos